That Obscure Object of Desire (1977) is a dark comedy-drama film directed by the legendary Spanish filmmaker Luis Buñuel. The movie is based on the 1898 novel The Woman and the Puppet by Pierre Louÿs. This film is notable not only for its complex themes of obsession and desire but also as Buñuel’s final directorial effort before his death in 1983. The film delves into the complicated dynamics of love, power, and sexual attraction, wrapped in Buñuel’s signature surreal and satirical style.

The story follows the obsessive relationship between Mathieu (Fernando Rey), a wealthy older man, and Conchita (Carole Bouquet), a beautiful and enigmatic young woman. Mathieu becomes infatuated with Conchita, but she plays with his emotions, keeping him in a constant state of desire and frustration. The film explores the intricate game of seduction, manipulation, and control as Mathieu struggles to understand why Conchita refuses to commit to him despite his persistent attempts to win her over.

One of the most striking aspects of That Obscure Object of Desire is the casting of two actresses to play Conchita: Carole Bouquet and Ángela Molina. This decision adds an extra layer of complexity to the film, symbolizing the elusive and contradictory nature of Conchita’s character. The dual portrayals emphasize the idea that the object of Mathieu’s desire is something unattainable and constantly shifting. This artistic choice reflects Buñuel’s exploration of the unattainability of true love and the illusions that often cloud romantic relationships.

The film is a reflection of Buñuel’s long-standing interest in the absurdities of human nature and social conventions. As in many of his films, That Obscure Object of Desire critiques the social structures surrounding class, power, and gender. The relationship between Mathieu and Conchita highlights the imbalance of power between men and women, as well as the ways in which desire can be both empowering and demeaning. Mathieu’s obsession with Conchita illustrates how love and possession can become unhealthy, as he tries to control and dominate a woman who resists his authority at every turn.

Buñuel’s direction is masterful, using his trademark surrealism and dark humor to critique societal norms while also keeping the audience engaged in the emotional rollercoaster of Mathieu’s obsession. The film features sharp, often ironic dialogue and intense, sometimes uncomfortable moments of intimacy and tension. The use of symbolism, particularly in the portrayal of Conchita’s character and Mathieu’s obsessive pursuit, serves to deepen the psychological and emotional complexity of the story.

In conclusion, That Obscure Object of Desire is a brilliant and thought-provoking film that stands as a testament to Luis Buñuel’s genius. It captures the complexity of human desire and the futile quest for control within romantic relationships. Through its dual portrayal of Conchita, the film explores the themes of illusion, obsession, and the ultimate unknowability of love. As Buñuel’s final directorial work, That Obscure Object of Desire is a fitting conclusion to his career, offering a powerful and surreal commentary on human nature and the complexities of desire.