Bedazzled (2000)

Bedazzled is a 2000 romantic fantasy comedy directed by Harold Ramis, featuring Brendan Fraser and Elizabeth Hurley. The film is a remake of the 1967 British film of the same name, which was written by Peter Cook and Dudley Moore. The 1967 film itself was an adaptation of the Faust legend, and Bedazzled brings a modern twist to this classic tale of desire, temptation, and the consequences of making deals with the devil.

The story follows Elliot Richards (played by Brendan Fraser), a shy and awkward man who is desperately in love with his colleague, Alison (played by Frances O’Connor). In a moment of frustration, he makes a deal with the devil, played by Elizabeth Hurley, who promises to grant him seven wishes in exchange for his soul. Each wish that Elliot makes, however, comes with unintended consequences, often highlighting the difference between what he thinks he wants and what he truly needs. The comedic misadventures that follow serve as both a source of humor and a poignant reflection on the nature of human desires.

 

One of the central themes of Bedazzled is the idea of wishing for things without fully understanding the consequences. Elliotโ€™s wishes, which range from wealth to fame to love, often turn out to be flawed in ways he never anticipated. These scenarios playfully explore the notion that, while we might think we know what will make us happy, the reality can be far more complicated and unsatisfying. The film highlights the idea that true happiness often lies in embracing who we are, rather than trying to become something weโ€™re not.

Elizabeth Hurleyโ€™s portrayal of the devil is one of the filmโ€™s standout performances. She brings a playful and seductive energy to the role, effortlessly balancing the characterโ€™s mischievous nature with moments of sincerity. Her chemistry with Brendan Fraser is electric, creating a dynamic that is both comedic and, at times, surprisingly heartwarming. Fraserโ€™s performance as Elliot is equally engaging, as he successfully navigates the transformation of his character from a bumbling man to someone who begins to understand the deeper implications of his wishes.

The visual style of Bedazzled is vibrant and imaginative, reflecting the fantastical nature of the story. The film uses a variety of creative scenarios to showcase the wishes that Elliot makes, each one more outlandish than the last. From a high-powered corporate executive to a suave, handsome romantic lead, the different lives Elliot experiences are brought to life through clever set designs, costume choices, and special effects. These moments are visually dynamic and serve as a testament to the filmโ€™s ability to blend fantasy with comedy.

At its core, Bedazzled is a story about self-discovery. As Elliotโ€™s wishes spiral out of control, he comes to realize that the key to true happiness lies not in material wealth or external validation, but in accepting himself and finding love in an authentic way. The filmโ€™s conclusion is a heartwarming reminder that personal growth often comes through mistakes, and that what we truly seek might be closer than we think.

In conclusion, Bedazzled is an enjoyable and thought-provoking comedy that cleverly reinterprets the classic Faustian tale. With strong performances from Brendan Fraser and Elizabeth Hurley, combined with witty writing and creative direction, the film is both funny and heartwarming. It explores themes of desire, self-worth, and the complexity of human nature in a way that is both entertaining and meaningful. Bedazzled is a light-hearted yet insightful exploration of how the choices we make shape our lives and our understanding of happiness.