Blueberry (2004) is a French acid western directed by Jan Kounen, based on the iconic French-Belgian comic book series Blueberry, illustrated by Jean Giraud and written by Jean-Michel Charlier. While the film is loosely inspired by the comics, it deviates significantly from the original source material in terms of plot and tone, creating a unique interpretation of the western genre. The film blends surreal elements with classic western motifs, resulting in a visually striking and atmospheric movie that stands apart from traditional western films.

The story of Blueberry follows the adventures of Mike Blueberry, a seasoned and troubled lawman in the American Wild West, played by Vincent Cassel. The film introduces him as a character caught between his violent past and the mystical forces of the desert. As Blueberry journeys through a vast, rugged landscape, he encounters supernatural elements, adding a mystical dimension to the typical western narrative. This fusion of the gritty realism of the Old West with elements of fantasy and surrealism is one of the film’s most distinctive features.

Visually, Blueberry stands out for its use of psychedelic imagery and striking cinematography. The film’s director, Jan Kounen, employs bold colors and surreal sequences that transform the landscape into something more symbolic and otherworldly. The desert scenes, in particular, are filled with dreamlike visuals that contribute to the film’s unsettling and often hallucinatory atmosphere. These stylistic choices help elevate Blueberry beyond the confines of a traditional western, turning it into a more experimental and artistic cinematic experience.

While the film draws inspiration from the Blueberry comics, it has very few direct connections to the original storylines or characters. The plot is a reimagining of the source material, with Kounen taking creative liberties that resulted in a film that may be puzzling for fans of the comics. However, those familiar with the graphic novels may appreciate the film’s thematic exploration of identity, destiny, and the human connection to the land, even if it departs from the specific details of the original story.

Overall, Blueberry (2004) is a bold and unconventional take on the western genre. With its mix of surrealism, stunning visuals, and its departure from traditional narrative structures, the film offers a fresh perspective on the familiar themes of the Old West. Though it may not align perfectly with the original Blueberry comics, it stands as an intriguing and visually captivating film that showcases Jan Kounen’s unique vision and artistic flair.