Dominion of Darkness (2024)

Dominion of Darkness (2024)


The narrative centers on Father Thomas, portrayed by Jerome Kurnia, a young Catholic priest grappling with a crisis of faith following a personal tragedy. His journey takes a pivotal turn when he reluctantly apprentices under the seasoned exorcist, Father Rendra, played by Lukman Sardi. Their resolve is tested upon encountering Kayla, a young woman ensnared by a sinister entity after a mysterious ritual.
Lea Ciarachel delivers a haunting performance as Kayla, whose descent into possession is marked by inexplicable injuries and increasingly erratic behavior. Her mother, Maya, portrayed by Astrid Tiar, embodies the desperation of a parent confronting forces beyond comprehension.

The film’s strength lies in its meticulous depiction of exorcism rites, grounded in extensive research and consultation with renowned Indonesian exorcists.
This commitment to authenticity heightens the horror, immersing viewers in the visceral reality of confronting demonic entities. Scenes of possession are executed with unsettling realism, showcasing Kayla’s transformation through disturbing physical manifestations and altered vocalizations that challenge the audience’s composure.


Beyond its horror elements, Dominion of Darkness explores profound themes of faith, redemption, and the human spirit’s resilience. Father Thomas’s internal conflict and journey towards reaffirming his beliefs add depth to the narrative, resonating with viewers on an emotional level. The film also prompts contemplation on the intersection of science and the supernatural, acknowledging that while many possession cases have psychological explanations, some phenomena elude rational understanding.