“Euphoria” is a 2017 psychological drama mystery film written and directed by Lisa Langseth. The movie marks Langseth’s first foray into English-language cinema. The film is a collaboration between Sweden, the United Kingdom, and Germany, and it was showcased in the Forum section at the 2017 Toronto International Film Festival. Despite its international production and the director’s notable previous work, the film received generally negative reviews from critics.

The plot of “Euphoria” revolves around two sisters, Emilie and Ines, who are reunited after a long period of separation. Emilie, played by Alicia Vikander, is a successful and wealthy woman who is living with a terminal illness. Ines, portrayed by Eva Green, is a free-spirited, emotionally complex character who works as an artist. The two sisters travel together to a secluded location, where they attempt to reconcile their differences and confront their past. The journey becomes not only a physical trip but also an emotional and psychological one, as the film delves into themes of love, loss, and the complexities of familial relationships.

At the heart of “Euphoria” is the theme of family, particularly the relationship between the two sisters. The film explores how the dynamics of their bond have been affected by time, illness, and personal struggles. Emilie and Ines’s strained relationship forms the emotional core of the narrative. Their journey together becomes a metaphor for healing, as they try to make sense of their shared past and forge a new connection, even in the face of death.

One of the most significant aspects of “Euphoria” is its psychological depth. The film delves into the emotional turmoil of its characters, particularly Emilie, who must confront her own mortality. The exploration of existential themes, such as the fear of death, the need for love, and the search for meaning in life, is portrayed in a raw and intimate way. The characters’ internal struggles are brought to life through powerful performances from Alicia Vikander and Eva Green, who both give nuanced portrayals of women grappling with complex emotions.

Despite the film’s compelling performances and the ambitious themes it explores, “Euphoria” received a largely negative response from critics. Many pointed out that the film’s pacing was slow, and its narrative was too bleak and introspective. Some felt that the plot lacked sufficient depth and substance, making it difficult for audiences to fully engage with the characters and their journey. While the film’s somber tone may resonate with some viewers, it left others feeling disconnected and unsatisfied.

In conclusion, “Euphoria” is a film that tackles complex emotional and existential themes with a focus on character-driven storytelling. While the performances by Alicia Vikander and Eva Green are commendable, the film’s slow pacing and heavy atmosphere may not be to everyone’s taste. Its exploration of family, death, and reconciliation is undeniably poignant, but its execution may leave some viewers wanting more. “Euphoria” serves as a testament to Lisa Langseth’s ambition as a filmmaker, but it may not have reached its full potential in the eyes of many critics.